. Graham Hart . Hawaii . DARCH . collection of designs and inspirations
GRM HRT
vivipiuomeno:

Unité d’abitation, Nantes-Rezé, 1952/54 - Le Corbusier arch.

tipsforarchitectureschool:

archatlas:

Architects Yannick Martin

Nice!! Look at this!

fiore-rosso:

Molo + d/dt and Frank La Riviere ArchitectsThe Nebuta HouseAomori, Japan

icancauseaconstellation:

David Chipperfield, house in Cherwell

(Source: arkiiv)

unavidamoderna:

Ver en la estancia desde el jardín,  Casa habitacion, Jardines del Pedregal, México DF 1959
Arqs. Sergio Torrres, Eduardo Vázquez J. y Francisco Vázquez L
View into the living room from the garden of a house in the Gardens of Pedregal, Mexico City 1959
zumthor:

Peter Zumthor (1992)
Foto: Hans-Peter Seiffert
via.
unavidamoderna:

Detalle de la fachada, Miguel Hidalgo y Costilla Aeropuerto Internacional, Carr. Guadalajara Chapala, Tlajomulco de Zuñiga, Jalisco, México 1968
Arq. Héctor Velázquez para Coufal Asociados
Detail of the facade of the Guadalajara International Airport, Tlajomulco de Zuniga, Jalisco, Mexico 1968

eltrupr:

thekhooll:

Open Shutter Project Michael Wesely

  • Images 1-3: Museum of Modern Art in New York
  • Images 4-5: Potsdamer Platz in Berlin
  • Image 6: Leipziger Platz in Berlin
  • Image 7: Allianz Arena Football Stadium in Munich

"Since the early 1990s, German photographer Michael Wesely has been inventing and refining techniques for using extremely long camera exposures to take uniquely compelling photographs. Through the use of filters and a very small aperture, yet one that is standard in a professional camera lens, he is able to diminish the amount of light hitting the negative to the point where he can extend the exposure many thousands of times longer than we would ordinarily expect." [via]

Not so instantaneous art.

(Source: archatlas)

fuckyeahbrutalism:

Sherman House, Bromley, Kent, UK, 1967
(Owen Luder Partnership)
wandrlust:

Moore House, Orinda, California, 1962 — Charles W. Moore